• Feedspot Blog Award

    Feedspot Blog Award

    I’m happy to report this blog was just voted one of the best 20 vintage jewellery blogs on the Internet and has received an award from Feedspot.

    Thank you to everyone who is following and have helped this blog grow, I do appreciate you very much.

    To see the full list, click here. 


  • March Treasures

    March Treasures

    Antique 14k Gold Green Gem Snake Ring

    Antique 14k Gold Green Gem Snake Ring

    Here is wonderful 14 karat (hallmarked) rose gold snake motif ring with a green gem stone (probably an emerald although has not been tested). It has an à jour setting which means the light shines through it beautifully.

    Era: Possibly late Victorian or Edwardian.

    Style: Late Victorian Egyptian Revival (The Art Deco era also saw a revival of snake motif jewellery).

    Click here for more details

    Art Deco Gilded Snake Bracelet

    Art Deco Gilded Snake Bracelet

    This unusual and magnificent vintage Art Deco gilded (golden coloured) silver snake (‘ouroboros’) bangle has turquoise and coral embellishments.

    Era: Probably 1920-1940 .  Style: Art Deco / Egyptian Revival / Chinoiserie. Origin: Austria

    CLICK HERE for more details


    Chinoiserie Dragon Head Bangle

    Chinoiserie Dragon Head Bangle

    Here is a magnificent, rare, antique, heavy and chunky, brass double headed dragon motif woven mesh bangle. (Era: Probably 1890 – 1950)

    The first wave of Chinoiserie (Western and Chinese fusion design) came in the 18th century. Towards the end of the 19th century there was a renewed interest in all things Chinese. This style continued through the Art Deco period and onwards. I haven’t quite been able to make my mind up about the age of this amazing bracelet which is why I’ve given it a wide range.

    Origin: Austria

    CLICK HERE for more details


    Antique Diamond 14 k Earrings

    Antique Diamond 14 k Earrings

    Truly stunning antique 14 karat gold diamond earrings. (Not hallmarked but electronically tested). The bottom diamonds have an à jour so the light shines through them beautifully. They are primarily constructed from yellow gold with what I believe are white gold rims around the diamonds.

    Era: Possibly pre-1884 as most German and Austrian jewellery had hallmarks after that date. This style is known as ‘Top and Drop’ and has been popular since Georgian times. The style of these earrings is so classic that I haven’t been able to accurately age them.

    CLICK HERE for more details


    Vintage St. George and Dragon 10 k Gold Earrings

    Vintage St. George and Dragon 10 k Gold Earrings

    Rare vintage hallmarked 10 karat yellow gold coin earrings. They are meaningful, very stylish and unusual. Era: 1973. Style: Art Deco / Spanish / Flamenco

    Origin: England

    CLICK HERE for more details


    Victorian Gilded Green Bead Earrings

    Victorian Gilded Green Bead Earrings

    Stunning antique gilded 900 silver green bead earrings. They are back fastening.

    Era: Possibly 1840 – 1848.  The style is very ‘Biedermeier’ which would place them before 1848, however the style continued on so they could also be a little later, anywhere up until 1900 or even early 20th century. (The lack of wear on the hallmarks suggests they are not as old as the Biedermeier era, although they definitely have the style. The Biedermeier period in Germany (1815-1848) was an amazing period during which the arts and beauty flourished. The styles were influenced by the courtly styles of the French Rococo movement.)

    CLICK HERE for more details

    © Pippa Gaubert Bear and Elder and Bloom LLC, 2018. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.

  • Diamond Engagement Rings

    The custom of giving a diamond ring as a promise of marriage is said to have started in 1477, when Archduke Maximillian of Austria presented Mary of Burgundy with a diamond ring. This sparked a craze for diamond engagement rings amongst the wealthy and, in particular, royalty, which continues to this day.


    This engagement ring was commissioned in 1477 by Archduke Maximilian of Austria for his betrothed, Mary of Burgundy. It is believed that he sent her a letter proposing marriage along with the ring.


    The smallest diamond engagement ring on record was given to Princess Mary, daughter of Henry VIII, when she was two years old and betrothed to the infant Dauphin of France, son of King Francis I, in 1518.


    A pointed oval diamond cluster ring known as a ‘navette ring’ became a popular engagement ring during the time of Louis XVI (1754-1793) and continued in popularity for decades afterwards.


    Antique Diamond Navette Ring. Langs Antiques.

    In 1796, Napoleon Bonaparte presented Joséphine with a diamond and sapphire engagement ring as a symbol of their love. The simple gold band is set with two pear-shaped stones, a diamond and a blue sapphire of one carat each, that sit side by side in opposite directions.


    Napoleon and Josephine’s engagement ring.

    The diamond promise ring was only embraced by the general public after 1870 with the discovery of diamond mines in South Africa.

    The Tiffany, or solitaire, setting was introduced in the late nineteenth century.


    The ‘princess ring,’ a type of English engagement ring designed with three to five diamonds in a row became popular in the United States in the early twentieth century.




    Comprising: a diamond ring set with three cushion-shaped diamonds of graduated size, size J, stamped ’18’, British hallmarks and date inscription to inner band, estimated total diamond weight approximately 0.90ct; and a wedding band of engraved design, size K, stamped ’18’, British hallmarks and maker’s mark (2)   Undated. SOURCE: Bonhams



    In the early part of the twentieth century, platinum was used for diamond engagement rings because of its strength and durability. However, it was declared a strategic metal during World War II, and its usage was restricted to military purposes. This led to the rise of both yellow and white gold diamond engagement rings.



    circa 1924
    center old European cut diamond approximately: 0.80ct; size: 6 3/4
    Undated.    Source: Bonhams



    The Great Depression and World War II caused the demand for diamonds to plummet. In 1948, the De Beers diamond mogul Sir Ernest Oppenheimer connected his son, Harry, to the New York advertising agency N.W Ayer.  The result was a campaign —  famous for its slogan ‘A Diamond is Forever’ — which helped turn the United States into the biggest market for the world’s supply of gem standard diamonds. The campaign established many of today’s standards for diamond engagement rings, including the ‘two months’ salary’ guideline which says that a prospective groom should plan to spend two months’ salary on an engagement ring for his bride-to-be. The De Beer’s campaign has to this day solidified the diamond’s status as the engagement ring stone of choice in America and, subsequently, much of the rest of the world.



    1948 De Beers Campaign.


    © Pippa Gaubert Bear and Elder and Bloom LLC, 2018. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.




  • The Heart Motif

    The Heart Motif


    The familiar heart shape is an  almost universal symbol of love and has deep historical roots. It is thought to have been originally inspired not only by the shape of the actual heart organ, but also by botanical forms such as the ivy and the fruit of the silphium. It is also thought to be a stylised depiction of a woman’s curves.

    Ancient Greek pottery incorporated countless examples of the heart shape and it appeared in early religious art. The heart can be seen in the Istanbul Empress Zoe mosaic dating from 1239 and in stucco reliefs and panels from Persian ruins dating from 90 BC to 637 AD. However, it was not thought to be a metaphor for love until at least 1250, when the earliest known example was shown in an illuminated manuscript.

    It wasn’t until the 15th century, however, that it developed into the symbol of love that we know today. The heart symbol truly came to the forefront during the Renaissance. During the 18th and 19th centuries, the heart symbol exploded in popularity and became a prevalent Valentine’s motif.

    Today, the heart shape is ubiquitous and never seems to decline in popularity or meaning.


    The earliest known visual depiction of a heart symbol, as a lover hands his heart to the beloved lady, in a manuscript of the Roman de la poire’mid-13th century.


    Royal Banner of the Kings of Denmark (12th or 13th century). The heart shape was frequently used in heraldic designs.


    Heart pierced with cupid’s arrow


    During Georgian and Victorian times, the heart was often found in jewellery pieces given as sentimental gifts between family members, close friends and lovers. Hearts were also often seen in engagement and wedding rings. Heart shaped lockets containing sentimental keepsakes such as hair or miniature portraits were particularly popular. Beginning in the early 1800s, Irish Claddagh ring featured a heart clasped in two hands.  These rings came to be widely used to symbolise friendship and love and are worn as friendship, engagement and wedding rings to this day, particularly in Ireland.

    As was typical of the Victorians, the heart motif had a nuanced meaning depending on its setting and design. For example, two hearts set alongside one another meant ‘betrothed’. Sapphires were added to represent fidelity or rubies for passion. Diamonds symbolised enduring love or eternity. Many Victorian pieces used the heart symbol alongside other symbols, for examples snakes or birds.  If a flame was used, this represented passion or ‘The Sacred Heart of Christ’.  Various flowers could be incorporated into the piece to convey the specific meaning accorded to each flower.

    An ever expressive array of pavé hearts, engraved hearts, hearts encrusted with gems or carved from them adorned the throats, ears, fingers, clothes, bonnets, hair and wrists of our fore-bearers and continued in popularity throughout the 20th century and to this very day.

    Below you will find some examples of beautiful heart pieces used in antique and vintage jewellery.


    Cartier Diamond Pave Heart Pendant. Elder & Bloom The diamond pave puffy heart by Cartier is an iconic design.


    Victorian Heart-Shaped Locket Pendant The slightly domed heart-shaped pendant pavé set with graduated half pearls, glazed locket back displaying hairwork, mount engraved ‘Robert George, Aug 26th 93’, on half pearl set bale together with two belcher-link chain necklaces spaced with pearls, pendant length, including bale, 3.7cm. (3) Source: http://www.bonhams.com/auctions/18170/lot/191/


    A Diamond, Opal, Pearl, Ruby and Enamel Necklace circa 1890: Source: http://www.bonhams.com/auctions/10791/lot/58/


    Opal necklace circa 1900 Source Pinterest (Christies auction)


    Made in 15ct gold at the start of the 1900’s, it is set with 6 drop opals with one superb heart shaped opal at the bottom, which is surrounded by 10 diamonds. With a further 8 diamonds along the chain, the diamonds total 0.86 carats, and match so well with the opals. The entire length measures 38.5 cm, and this is a truly spectacular piece that will always be cherished. Source: Kalmar: http://www.kalmarantiques.com.au/product/antique-opal-and-diamond-necklace/


    An antique diamond brooch/pendant, circa 1900, designed as a stylized heart, the sinuous ribbons of old European-cut diamonds accented by similarly cut diamond-set foliate and floral motifs; Source: http://www.bonhams.com/auctions/23415/lot/5/



    Symbolism in Victorian Jewellery


    The Language of Flowers

    The Language of Stones

    The Language of Birds

    Fede, Claddagh, Gimmel and Puzzle Rings

    © Pippa Gaubert Bear and Elder and Bloom LLC, 2018. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.

  • Beautiful New Treasures

    Happy January everyone. It’s snowing here today 🙂 Here is a look at some of the latest treasures – I hope you love them as much as I do.

    Art Deco Red Spinel 14 k Gold Earrings.png

    Art Deco Red Spinel 14 k Gold Earrings

    Here are some wonderful vintage 14 karat yellow gold (hallmarked) and what are probably red spinel earrings. They are front fastening and have an à jour setting which means the light shines through them. They have a simple, bold and utterly attractive bezel set design. Click here for more details


    Art Nouveau 14 k Gold Garnet Earrings.png

    Art Nouveau 14 k Gold Garnet Earrings

    A pair of wonderful antique 14 karat yellow gold (tested, not hallmarked) and garnet earrings. They are back fastening, have an à jour setting which means the light shines through them and a delightful leaf motif with lovely detailing. Click here for more details


    Victorian Diamond Earrings.png

    Victorian Diamond Earrings

    Here are some truly stunning Victorian or early Edwardian 14 karat gold and 800 silver diamond earrings. (Not hallmarked but electronically and chemically tested). Click here for more details


    Art Deco Enamel Snake Necklace.png

    Art Deco Enamel Snake Necklace

    Here is a rare. wonderful and striking Art Deco lariat necklace with a double snake head motif created in cloisonné enamel. Click here for more details

  • Victorian Symbology

    Victorian Symbology

    The Victorians wore jewellery which conveyed nuanced meaning, expressed sentiment and brought fortune. They celebrated life events, friendship, love, and courtship with these designs. Below is a list of motifs and an outline of what they symbolised  for the Victorians. Many of these meanings remain today although others have been lost along the way.


    Birds had a wide variety of meaning for the Victorians. For example, swallows symbolized love and mating for life.

    Read more about the LANGUAGE OF BIRDS


    Victorian turquoise and silver bird bangle. Elder & Bloom.




    The crescent moon represented a new relationship and the hope it would “wax” into matrimony. Read more about ASTROLOGICAL MOTIFS


    The simple crescent moon was a popular motif in the late Victorian era
    England, c. 1890
    Gold set with diamonds
    V&A Museum



    Crossed Oars symbolised ‘contentment’.


    Photo source: Spielman Antiques




    A dog symbolised loyalty and friendship.


    Victorian Dog Motif Brooch. Lang’s Antiques.


    Figure eights symbolised eternity or ‘infinity’.


    Victorian ‘Figure Eight’ Brooch. Photo Source: Lang Antiques.



    Flowers and plants had diverse hidden meanings for the Victorians. An entire ‘language of flowers’ was developed, known as ‘Floriography‘.  Read more about the LANGUAGE OF FLOWERS


    Forget-me-not, rose and acorn motif. The acorn symbolized strength and longevity.
    Paris, c. 1820-1840
    Brooch with gold, diamonds and turquoises.
    V&A Museum



    The garter symbolised chastity and virtue. The ‘order of the garter’ was an order of chivalry founded by the British monarchy.


    Garter Motif brooch. Source, Lang Antiques.



    The Greek Key motif symbolised infinity or the ‘eternal flow of things’. Read more about the GREEK KEY MOTIF




    The mythical griffin represented courage.


    Victorian Griffin Pendant. Elder and Bloom.



    Hands had a variety of different meanings, depending on the form, including affection, strength, family and love.



    Victorian Hand Motif Necklace / Watch Chain. Elder and Bloom.



    These symbolised love, friendship, affection and devotion. Combined hearts and flowers signified fidelity and remembrance.


    Victorian Heart Earrings. Elder and Bloom.



    Horseshoes symbolised good luck and fortune.


    Victorian Horseshoe Motif Brooch. Source: Ebay.



    Keys symbolised knowledge and success and were also given as a ‘coming of age’ gift on the 21st birthday. They also meant ‘you have the key to my heart’.


    Victorian Key Pendant. Source: Butter Lane Antiques.


    A lizard  symbolised ‘wedded bliss’ and was given as wedding or anniversary gifts.


    A Victorian opal, diamond and ruby salamander brooch, late 19th century.


    Lovers’ knots symbolized ‘eternal love,’ ‘fidelity’ and ‘commitment’. See also  FEDE, CLADDAGH, GIMMEL and PUZZLE RINGS


    Victorian Lover’s Knot Ring. Lang’s Antiques.


    Scarabs symbolised ‘endurance of the soul.’ They rose to prominence with the ‘Egyptian Revival’ Movements.


    Victorian Scarab Necklace. Lang’s Antiques.



    Shamrocks and four-leaved clovers symbolised good health, good luck, and happiness. They were very much associated with Ireland and many were produced there. They could often be made with real shamrocks or four-leaved clovers set under clear enamel, rock crystal or glass.


    Victorian Four-Leaved Clover Brooch. Source: Ebay



    Snakes symbolised eternal life, sexuality and mystery. Read more about SNAKE MOTIFS


    Victorian gold serpent ring. Elder and Bloom. 



    Acrostic jewelry was a way to convey a sentimental message by way with the first letter of each stone, the first letter of which spelled out a word. Read more about the LANGUAGE OF STONES


    England, c. 1830
    Pendant, gold with lapis lazuli, glass in imitation of opal, garnet, emerald and gold.
    Here, the pendant has the stones of Lapis Lazuli, glass in imitation of Opal, Vermeil ( the old name for garnet ) and Emerald which spell LOVE.
    V&A Museum

    Further reading: https://beautifulantiquetreasures.com/2013/02/21/charm-bracelets/

    © Pippa Gaubert Bear and Elder and Bloom LLC, 2018. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.