Art Nouveau Enamel Pendant

Art Nouveau Enamel Pendant

I thought you may enjoy seeing this absolutely gorgeous gilded 800 silver cloisonné enamelled filigree pendant just in the Elder and Bloom Store.

If you are interested in learning more about enamel techniques in antique jewellery, you may enjoy these articles here.

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Classical Cannetille Silver Amethyst Tiara

Classical Cannetille Silver Amethyst Tiara

I love it when a piece gives me plenty to think about. I’ve been examining and researching this lovely headpiece ever since I got it. (I love it so much that I’ve been wearing it, much to the surprise of my new neighbour but without any reaction from my family who are no longer surprised by such things). I do hope I’ve made the correct assessment of this amazing tiara (with antiques there is rarely 100% certainly, especially when it’s one of a kind like this one).

Here are some related articles that I wrote previously you may find interesting:

Cannetille. Filigree. Amethyst.

To see more about this amazing piece, please click here.

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Filigree

Brooch

England, c. 1820-1830
Brooch, gold filigree, set with a large citrine and small emeralds and rubies
V&A Museum

Filigree (also spelled filagree) can be defined as a kind of jewelry metalwork involving fine wires which are soldered together into an artistic design.  Filigree wires can be arranged, twisted or braided and then soldered onto a metal backing or can be soldered onto an open backed frame. One way of describing filigree is ‘delicate tracery’. Although related to cannetille, filigree is primarily flat work whereas cannetille is three dimensional.  Of course, the two techniques are often combined.  Filigree can also be combined with granulation.  Some sources describe cannetille as being a type of filigree and some describe it as being something separate. Filigree is also related to ajoure jewelry work, but ajoure differs as it involves drilling holes in sheet metal, whereas filigree work is entirely soldered or possibly twisted together with no solder (as is the case with Berlin Iron jewelry).

Filigree work was especially popular in French, Spanish, Portuguese and Italian jewelry from 1660 until the late 19th century.  I have also seen a lot of Art Deco era pieces involving filigree.  I believe it has been popular consistently throughout each era but is particularly associated with traditional and folk jewelry.  There have also always been cast pieces which resemble genuine filigree work; these are not as delicate or fine and can be differentiated upon close inspection.  It is important when evaluating filigree work that you look for broken wires.  Unfortunately, filigree work is very delicate and many surviving early pieces are damaged.

Brooch

Germany, c. 1750-1850
Brooch, silver, filigree.
V&A Museum

Pendant

Portugal, c. 1860
Pendant, gold filigree
V&A Museum

Pendant

Spain (Salamanca), c. 1800 – 1870
Pendant with gold filigree set with pearls
V&A Museum

Necklace

Austria, 1840-1870
Necklace with silver chains, silver filigree, garnets and imitation pearl
V&A Museum

Bracelet

England, c. 1860-1870
Pasquale Novissimo (possible maker)
Gold filigree and granulation bracelet
V&A Museum

Buttons

Spain, c. 1870
Silver filigree buttons
V&A Museum

Pendant

Naples, c. 1830-1860
Pendant, red and yellow gold and filigree, with a blue enamel plaque
V&A Museum

Earrings

Italy, c. 1820-1860
Earrings, red and yellow gold, filigree, pearls and seed pearls
V&A Museum

Earrings

Western Europe, c.1825
Earrings, enamelled gold filigree set with small stones
V&A Museum

Sources / further reading:

http://en.wikipedia.org/wiki/Filigree

http://www.langantiques.com/university/index.php/Filigree