Beautiful New Treasures

Happy January everyone. It’s snowing here today ūüôā Here is a look at some of the latest treasures – I hope you love them as much as I do.

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Art Deco Red Spinel 14 k Gold Earrings

Here are some wonderful vintage 14 karat yellow gold (hallmarked) and what are probably red spinel earrings. They are front fastening and have an à jour setting which means the light shines through them. They have a simple, bold and utterly attractive bezel set design. Click here for more details

 

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Art Nouveau 14 k Gold Garnet Earrings

A pair of wonderful antique 14 karat yellow gold (tested, not hallmarked) and garnet earrings. They are back fastening, have an à jour setting which means the light shines through them and a delightful leaf motif with lovely detailing. Click here for more details

 

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Victorian Diamond Earrings

Here are some truly stunning Victorian or early Edwardian 14 karat gold and 800 silver diamond earrings. (Not hallmarked but electronically and chemically tested). Click here for more details

 

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Art Deco Enamel Snake Necklace

Here is a rare. wonderful and striking Art Deco lariat necklace with a double snake head motif created in cloisonné enamel. Click here for more details

Victorian Symbology

Victorian Symbology

The Victorians wore jewellery which conveyed nuanced meaning, expressed sentiment and brought fortune. They celebrated life events, friendship, love, and courtship with these designs. Below is a list of motifs and an outline of what they symbolised  for the Victorians. Many of these meanings remain today although others have been lost along the way.

BIRDS

Birds had a wide variety of meaning for the Victorians. For example, swallows symbolized love and mating for life.

Read more about the LANGUAGE OF BIRDS

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Victorian turquoise and silver bird bangle. Elder & Bloom.

 

 

CRESCENT MOON AND STARS

The crescent moon represented a new relationship and the hope it would ‚Äúwax‚ÄĚ into matrimony.¬†Read more about ASTROLOGICAL MOTIFS

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The simple crescent moon was a popular motif in the late Victorian era
England, c. 1890
Gold set with diamonds
V&A Museum

 

CROSSED OARS

Crossed Oars symbolised ‚Äėcontentment‚Äô.

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Photo source: Spielman Antiques

 

 

DOGS

A dog symbolised loyalty and friendship.

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Victorian Dog Motif Brooch. Lang’s Antiques.

FIGURE EIGHTS

Figure eights symbolised eternity or ‚Äėinfinity‚Äô.

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Victorian ‘Figure Eight’ Brooch. Photo Source: Lang Antiques.

 

FLOWERS

Flowers and plants had diverse hidden meanings for the Victorians. An entire ‘language of flowers’ was developed, known as ‘Floriography‘. ¬†Read more about the LANGUAGE OF FLOWERS

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Forget-me-not, rose and acorn motif. The acorn symbolized strength and longevity.
Paris, c. 1820-1840
Brooch with gold, diamonds and turquoises.
V&A Museum

 

GARTER MOTIF

The garter symbolised chastity and virtue. The ‘order of the garter’ was an order of chivalry founded by the British monarchy.

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Garter Motif brooch. Source, Lang Antiques.

 

GREEK KEYS

The Greek Key motif symbolised infinity or the ‚Äėeternal flow of things‚Äô.¬†Read more about the GREEK KEY MOTIF

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GRIFFINS

The mythical griffin represented courage.

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Victorian Griffin Pendant. Elder and Bloom.

 

HANDS

Hands had a variety of different meanings, depending on the form, including affection, strength, family and love.

See THE HAND MOTIF  See also  FEDE, CLADDAGH, GIMMEL and PUZZLE RINGS

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Victorian Hand Motif Necklace / Watch Chain. Elder and Bloom.

 

HEARTS

These symbolised love, friendship, affection and devotion. Combined hearts and flowers signified fidelity and remembrance.

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Victorian Heart Earrings. Elder and Bloom.

 

HORSESHOE

Horseshoes symbolised good luck and fortune.

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Victorian Horseshoe Motif Brooch. Source: Ebay.

 

KEYS

Keys symbolised knowledge and success and were also given as a ‘coming of age’ gift on the 21st birthday. They also meant ‘you have the key to my heart’.

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Victorian Key Pendant. Source: Butter Lane Antiques.

LIZARDS

A lizard¬† symbolised ‚Äėwedded bliss‚Äô and was given as wedding or anniversary gifts.

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A Victorian opal, diamond and ruby salamander brooch, late 19th century.
Bonhams.

LOVER’S KNOT

Lovers‚Äô knots symbolized ‚Äėeternal love,‚Äô ‚Äėfidelity‚Äô and ‚Äėcommitment‚Äô.¬†See also ¬†FEDE, CLADDAGH, GIMMEL and PUZZLE RINGS

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Victorian Lover’s Knot Ring. Lang’s Antiques.

SCARAB

Scarabs symbolised ‚Äėendurance of the soul.‚Äô They rose to prominence with the ‘Egyptian Revival’ Movements.

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Victorian Scarab Necklace. Lang’s Antiques.

 

SHAMROCKS AND FOUR-LEAVED CLOVERS

Shamrocks and four-leaved clovers symbolised good health, good luck, and happiness. They were very much associated with Ireland and many were produced there. They could often be made with real shamrocks or four-leaved clovers set under clear enamel, rock crystal or glass.

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Victorian Four-Leaved Clover Brooch. Source: Ebay

 

SNAKES  

Snakes symbolised eternal life, sexuality and mystery. Read more about SNAKE MOTIFS

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Victorian gold serpent ring. Elder and Bloom. 

 

STONES

Acrostic jewelry was a way to convey a sentimental message by way with the first letter of each stone, the first letter of which spelled out a word. Read more about the LANGUAGE OF STONES

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England, c. 1830
Pendant, gold with lapis lazuli, glass in imitation of opal, garnet, emerald and gold.
Here, the pendant has the stones of Lapis Lazuli, glass in imitation of Opal, Vermeil ( the old name for garnet ) and Emerald which spell LOVE.
V&A Museum

Further reading: https://beautifulantiquetreasures.com/2013/02/21/charm-bracelets/

© Pippa Gaubert Bear and Elder and Bloom LLC, 2018. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.

The Language of Birds

The Language of Birds

The Victorians assigned symbolism to many things and birds in jewellery held a nuanced and precise meaning. Below is an overview of this meaning.

SWALLOWS AND BLUEBIRDS

Both swallows and bluebirds had a special meaning for seafarers because these birds were the first sign that land was near. Swallows were thought to lead ships home and prevent them from being lost. The meaning assigned to these birds became to be ‘safe home’, or ‚Äėto safely return home‚Äô and so they were often given to loved ones when they set out on a journey.¬†They also symbolised ‘heart and home’ ¬†and were associated with faithfulness. ‘Messengers of Venus’ was another assigned meaning.¬†Flying birds in general were thought to represent the soul.

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Victorian turquoise set swallow or bluebird brooch

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Aesthetic Movement (Late Victorian) ‘Sweetheart Brooch’.¬†Swallows are known to mate for life so were therefore often given to one’s sweetheart. Brooches with the swallow motif are often known as ‘sweetheart brooches’.

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A blue bird or swallow with a wishbone was ¬†a common design, signifying ‘Wish for lasting love’

DOVES

Doves have carried the meaning of hope and peace since ancient times. ¬†During Victorian times, they were often shown with the word pax (the Latin word for peace) holding an olive branch in their beak. The dove was a symbol of faith and was meant to represent The Holy Spirit.¬†¬†The French ‘Saint Esprit’¬†or ‘Holy Spirit dove’ could often be depicted descending from heaven to earth with wings spread. Doves were often pav√©¬†set with turquoise, which was meant to bring luck to the wearer. When the dove held a heart in its beak, it symbolised love.

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Victorian Turquoise Pavé dove bangle. Currently for sale at Elder and Bloom.

BIRD’S CLAW

A bird’s claw meant ‘Thinking of you’ or ‘Praying for you.’

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In Victorian times, actual bird’s claws were sometimes turned into brooches. (One of these will never be sold by Elder and Bloom!)

PHOENIX

A phoenix represented renewal, resurrection, rebirth and immortality.

Griffin

Griffins signified great courage.

 

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Art Nouveau Griffing locket. Previously sold by Elder and Bloom. For more information see here.

SWAN

Swans were symbolic of ‘purity and grace’.

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Late Victorian swan brooch. Previously for sale at Elder and Bloom.

HUMMING BIRD

The meaning of the humming bird was ‘God’s Tiny Miracle’

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Victorian Hummingbird pendant. Previously for sale at Elder and Bloom.

PHEASANT

The pheasant was thought to symbolise nobility, virtue and refinement.  It also evoked the spirit of the countryside.

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Victorian pique pheasant brooch. Previously for sale by Elder and Bloom.

LOVE BIRDS

Love birds signified faithfulness, eternal love and marriage

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Victorian ‘love bird’ brooch.

BLACKBIRDS

Blackbirds were worn during mourning.

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Victorian Blackbird mourning brooch.

CROW OR RAVEN

A crow or raven meant ‘Protection of friends’.

OWL

An owl represented vigilance and wisdom.

PEACOCK

A peacock represented immortality, beauty and knowledge.

EAGLE

An eagle represented nobility, strength, courage, wisdom and power.

FEATHERS

Feathers signified ‘obedience’ and could imply the obedience of a wife to her husband or to God.

PARROT

Parrots and birds of paradises were also often depicted but I have yet to discern the symbolic meanings.

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Victorian parrot pendant with real feathers.

See also:

The Language of Stones

The Language of Flowers

© Pippa Gaubert Bear and Elder and Bloom LLC, 2017. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.

 

Jewellery of the 1925 Paris Exhibition

Jewellery of the 1925 Paris Exhibition

The Paris 1925 Exhibition was an international exhibition devoted to the decorative arts. With it was born the spread of the movement which we now know as ‘Art Deco’.

STYLE MODERNE

The Paris Exhibition was France’s demonstration to the world that it continued to be the greatest nation as far as the applied arts were concerned and, in particular, fashion and luxury goods. Britain and Italy also played leading roles at the exhibition. Germany and the USA were conspicuously absent.

Modernism and originality were emphasised.¬†The term ‘Art Deco’, however, was not coined until the 1960s. At the time, people thought of the Art Deco style as simply ‘modern or contemporary’ style or ‘style moderne’.

DESIGNERS

Three design companies were prominent at the exhibit. These were: Cartier,¬†Despr√©s and Van Cleef & Arpels. All of these companies are now considered defining forces behind the Art Deco style. ¬†At the exhibit,¬†Van Cleef & Arpels won a grand prix for a half-open rose in diamond-studed rubies and emeralds.¬†Cartier, however, had the highest status, showing their work separately from the other designers in the Pavillon de l‚Äô√Čl√©gance, instead of in the main Grand Palais.¬†Other companies were Fouquet,¬†Chaumet, Dusausoy, Lacloche Fr√®res, Linseler & Machack, Boivin, Mauboussin, Mellerio and Ostertag. Jewellery artists included Raymond Templier, Paul-√Čmile Brant and G√©rard.

MATERIALS

Platinum¬†and chromium-plated metal made a strong appearance in keeping with the theme of ‘modernism’. ¬†Other popular materials included rubies, onyx, lacquered silver, jade, enamel, rock crystal, gold, lapis lazuli¬†and diamonds.¬†Flattened silver necklaces were presented by Despr√©s.¬†Emeralds were showcased in the form of a spectacular shoulder necklace by Cartier with a matching diadem and brooch. It incorporated three enormous Mughal emeralds. (It remained unsold as it seemed it was too lavish to be worn by anyone.)

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The Cartier Timken necklace, designed in 1925. It is one of the most important examples of Cartier jewellery from the Art Deco era. It is set with three rare Mughal emeralds carved on the front and reverse weighing 71.91ct, 30.27ct and 29.21ct, sapphire beads, buff-top cabochon sapphires, emerald beads and diamonds

MONOCHROME AND PAV√Č

Black and white jewellery was prevalent, in particular Cartier pieces of pavé diamonds and dyed onyx. This showcasing of pavé went on to greatly influence costume jewellery styles. Monochrome styles continue to be strongly associated with Art Deco.

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Art Deco Theatre Bag. Elder and Bloom.

ISLAMIC INFLUENCES

Stars and geometrical themes were featured.

CARVED GEMSTONES

Baskets of fruits and flowers made from carved gemstones dazzled the exhibition visitors. (See also ‘Tutti Fruitti.’)

EGYPTIAN INFLUENCES

Falcons, lotus flowers, snakes and winged female figures were showcased.

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Art Deco Snake Bangle. Elder and Bloom.

CHINESE INFLUENCES

Dragons, chimeras, Buddhas and pagodas made a strong appearance.

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Art Deco Theatre Bag with Chinese Motifs. Elder and Bloom.

N CONCLUSION

The Paris 1925 Exposition has gone on to be considered the apex of Art Deco style and has forever brought French design to the forefront of the applied arts. How marvellous it must have been for those who love beauty and style to stroll past those dazzling exhibitions! Because of the 1925 Paris Exposition Art Deco design spread throughout the world and has continued in its immense popularity to this day with no sign of abatement.

See also: https://beautifulantiquetreasures.com/2013/03/12/art-deco-motifs/

© Pippa Gaubert Bear and Elder and Bloom LLC, 2017. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.

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Green Gemstones

Green Gemstones
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Antique emerald and pearl gold ring. Elder and Bloom.

Below you will find a list of green coloured gemstones that may be encountered in antique and vintage jewellery.

Emerald

This is a yellowish green to bluish green beryl.

Green Tourmaline

There are several green colored varieties of tourmaline and they can be referred to as ‘verdelite’ or ‘chrome’ (a rich green to sightly yellow-green tourmaline) or ‘paraiba’ (a light to deep green to blue green shade of tourmaline).

Peridot

This is a yellow green to green gemstone.

Green Zircon.

This can be green to yellow-green to gray-green in colour.

Alexandrite

In daylight alexandrite can be bluish to blue green and in artificial or evening light violet-red. Discovered around 1834. (For more about alexandrite, one of my favourite gemstones, see here).

Chrysoberyl

A pale green to yellow green transparent gemstone.

Chrysoprase

A type of chalcedony.

Sapphire

This is a yellow green to blue-green to gray-green corundum

Demantoid Garnet

This is a variety of yellow-green to emerald- green garnet. Discovered in 1868. For more about garnets, see here.

Tsavorite Garnet

This is a yellowish green to bluish green variety of garnet. (As far as I know, tsavorite is not found in jewellery dating before 1971.)

© Pippa Gaubert Bear and Elder and Bloom LLC, 2017. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.

Red and Pink Gemstones

Red and Pink Gemstones

Here are all the red and pink gemstones that one is likely to come across in antique and vintage jewellery.

RUBY

This is a bluish red to range-red corundum

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Jugendstil Pendant. Elder and Bloom

 

PINK SAPPHIRE

This is a pinkish red variety of corundum (basically a less colour saturated form of ruby).

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Annular brooch with pink sapphires. British Museum AF.2702

GARNET

There are several varieties of garnet. For more information see here. 

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Victorian Garnet Earrings. Elder and Bloom.

RED SPINEL

Red Spinel can be red to brownish red and pink

 

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Vintage red spinel earrings. Elder and Bloom.

 

PINK TOURMALINE

This is a pink variety of tourmaline and can be all shades of pink

 

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1860s Brooch with Pink Tourmaline. V & A Museum M.21-1979.

MORGANITE

This is a pink to orange pink beryl (discovered in 1910)

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PINK TOPAZ

This is a pink to violet-pink variety of topaz that is created by heated golden brown topaz.

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Pink Topaz and Diamond Ring 1800 -1 869. V & A Museum 1309-1869

 

RED ZIRCON

This is a brownish red to deep, dark red zircon

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Reddish-brown zircon ring. 1850. V & A Museum 1282-1869

RED “EMERALD” OR ‘BIXBITE’

This is a red to bluish red to orange-red beryl

Discovered in 1904

 

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Red Beryl or Bixbite Estate Brooch.

KUNZITE

This is a violet-pink to pink-violet spodumene

Discovered in 1902

 

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Kunzite and silver brooch.

RUBELLITE

This is a red to violet-red tourmaline

First discovered 1822

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Rubellite Estate Ring.

© Pippa Gaubert Bear and Elder and Bloom LLC, 2017. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pippa Bear and Elder and Bloom with appropriate and specific direction to the original content.

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